Whose Heritage Is It, Anyway?
( French / Arabic ) When we talk about heritage, whose heritage are we really talking about? It’s a question that has stayed with me over the years of working in this field. Not as an abstract provocation, but as something that emerges repeatedly in practice, in projects, in conversations, and in the spaces between intention and reality. Heritage is often presented as an unquestionable good: something to be protected, celebrated, and passed on. And in many ways, it is. But
Archaeology of the Future: Finding Hope in Architecture
(Arabic Translation) This week, I watched something that left me unexpectedly hopeful. A profile of Lina Ghotmeh on the Arts in Motion , and I found myself, at times, genuinely giddy. Not because of spectacle. But because of recognition. Architecture as Orchestra In a recent piece I wrote, ( Recombination: The Missing Discipline in Architecture ) , I argued that architecture must move away from authorship and toward orchestration. Listening to Lina Ghotmeh speak, I heard tha
A Civilisation Does Not Die in a Night
Image: IDP Camp 2017 Iraq. by Frazer Macdonald Hay Click here for Arabic Text Much has already been said in response to recent political rhetoric about the destruction of civilisations. Most of it is immediate, reactive, and quickly absorbed into an already saturated discourse.This piece takes a different position, grounded not in reaction, but in the experience of what happens when cities are destroyed, cultures are targeted, and people are left to rebuild what remains. When
Buildings, Memory, and Mediation
Exploring peacebuilding as a lens for adaptive reuse I have been thinking about the relationship between peacebuilding and adaptive reuse. At first, the connection may not seem obvious. One operates in the aftermath of conflict, working with fractured societies, contested narratives, and fragile relationships. The other is often understood as a technical or architectural process, adapting existing buildings for new use. But the more I work across both, the less separate they
A Building Speaks Before Demolition
In conversation with a building scheduled for demolition ..... The manuscript I have recently completed, Adaptive Reuse: Conflict, Climate and Conservation / What Buildings Know , is structured as a conversation. Each chapter opens with the voice of a building facing demolition. It reflects on its condition, its memories, and its uncertainty about what comes next. These openings are not decorative. They frame the themes that follow, adaptive reuse, conflict, climate, conserva
What Buildings Know & Why It Matters Now
I have recently completed a manuscript exploring adaptive reuse, not simply as an architectural method, but as a way of thinking about how we live, remember, and change. At its core, the book asks a simple question: What happens if we stop treating buildings as objects to be replaced, and start understanding them as things to be read? Over time, that question became something else entirely. It became clear that adaptive reuse is not only about buildings. It is about how we re
Ukraine, Gaza, Sudan: What Post-War Cities Must Learn About Memory
Ukrainian / Arabic Text Rebuilding After War: What Buildings Remember If you are planning the reconstruction of Ukraine, Gaza, Sudan, Syria (or any city emerging from war) there is a question that rarely appears in engineering briefs, donor frameworks, or architectural masterplans: What do the buildings remember? After conflict, the world mobilises to rebuild walls, roads, schools, and monuments. We measure recovery in square metres restored and skylines repaired. Yet in eve
Why Peace & Conflict Skills Matter in Everyday UK Life
For most of my working life, I have operated at the intersection of people, place, memory, and conflict . I have worked in cities rebuilding after war; in neighbourhoods negotiating tense identities; in institutions grappling with histories they found difficult to acknowledge; and in communities looking for ways to reconnect after years of silence or division. Through all of this, one insight has stayed with me: Conflict does not begin with violence, and peace does not begin
What the Walled Off Hotel Reveals About Our Liquid Times
Banksy, Bauman, Sontag and the Architecture of Fear by Frazer Macdonald Hay In Liquid Times: Living in an Age of Uncertainty, Zygmunt Bauman describes a world slipping from solid certainties into fluid insecurities, a world where social bonds thin, trust evaporates, and fear becomes a political resource more valuable than truth. We inhabit, he argues, an age shaped by negative globalisation: a system that grants radical freedom of movement to some while confining others beh
The Theatre of Silence
Rebuilding Mariupol’s Drama Theatre as an Act of Erasure by Frazer Macdonald Hay, Uniform November In March 2022, Russia bombed the Mariupol Drama Theatre, a building clearly labelled with the word “CHILDREN” (“ДЕТИ”) in enormous white letters visible from the sky. Hundreds of civilians were sheltering inside. According to investigations by the Associated Press , at least 600 people were killed. It was one of the deadliest single attacks of Russia’s full-scale invasion of Uk
